Yasuhiro was trained in a manner that referenced the Bauhaus, and he learned to pay attention to shapes, shadows, and angles when looking at his subjects. When he turned his lens to Katsura, he was left with images that resembled "the grid-like composition of a Mondrian painting." His clean aesthetic and lack of excess in his works align with the aims of both Modernism and the traditional Japanese architecture style.
His compositions are clean, his tones are rich, and his focus is crisp. Together, these elements allow Yasuhiro's works to be visually stunning and appealing to me as both a lover of architecture and as a photographer.
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